如果你正在犹豫要不要看，我可以告诉你：这部1973年的苏联战争片没有宏大的炮火连天，反而把镜头压得很低，跟着主角在干燥的中亚土路上奔走。叙事干脆利落，没什么废话，就是硬汉在绝境里找叛徒。主演苏伊曼库尔·乔克莫罗夫那张脸，就写满了故事，他演的那个沉默寡言的中亚士兵，眼神里全是疲惫和倔强，特别戳人。 ★。苏伊曼库尔·乔克莫罗夫演的老游击队员，不说话时眉骨下的阴影都在演戏，有一幕他蹲在土墙根下擦枪，手背上的青筋随着呼吸起伏，真实得让人心揪。适合那些看腻了轰轰烈烈、想感受战争里人性真实温度的朋友，节奏不快，但后劲很大。

　　The Seventh Bullet is a Soviet Ostern film of 1972 directed by Ali Khamraev. In the same tradition as The White Sun of the Desert and The Bodyguard, The Seventh Bullet is set after the Russian Civil War which ended in the 1920s when Soviet power established itself in Central Asia in the wake of the Basmachi rebellion. Despite this slight shift in emphasis and a post-war setting, The Seventh Bullet is closer to a typical war film than other Red Westerns because of a prominence of tactical resourcefulness in the development of the plot. Although of course this is a staple of many American Westerns from John Ford's cavalry series to the many Apache war films.
　　Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left—the seventh, and he must not miss his target!

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